Golaem ships Golaem Crowd 2.0
Maya crowd-simulation software gets new graphical AI-authoring system; speed boosted 15 times.
Tuesday, August 7th, 2012
Maya
IKinema unveils LiveAction virtual production system
Stream mocap data into Maya and preview the results on a virtual set, complete with real-time shadows.
Saturday, August 4th, 2012
Fabric Engine launches Creation Platform
See cool tools built with the high-performance app development framework running inside Maya.
Wednesday, August 1st, 2012
Rich Diamant ships Diamant Modeling Tools for Maya
Updated: Blizzard star's retopology and brush-based modelling plugin now out of alpha and ready to buy.
Sunday, July 29th, 2012
Chaos Group unveils V-Ray for Nuke and Katana
Details to follow at Siggraph, along with news of Alembic and deep image support in V-Ray for 3ds Max.
Thursday, July 26th, 2012
Chris Zurbrigg releases Blue Pencil for Maya
New plugin lets you draw over the 3D viewport to rough out animation, sketch layouts or mark up shots.
Wednesday, July 25th, 2012
Eric 'Mootzoid' Mootz releases emReader for modo
Import RealFlow, Softimage or Maya animations for rendering with the cult Softimage coder's first modo plugin.
Thursday, July 19th, 2012
Holomatix ships SprayTrace mental ray viewer for Maya
Updated: new plugin provides interactive preview of a mental ray scene - now with Mac OS X support.
Saturday, July 14th, 2012
Gnomon releases four-DVD Alex Alvarez Maya tutorial
Mammoth new release features nine hours of training on Creating Plants in Maya/Mental Ray.
Friday, July 13th, 2012
Project focus: the making of Exoids
Director Meni Tsirbas talks us through his post-apocalyptic short, created with an all-student team.
Friday, July 6th, 2012
Golaem releases Golaem Crowd 1.5
Crowd simulator now shows your actors directly within the Maya render window, rather than baking geometry.
Wednesday, July 4th, 2012
RevUp Render starts V-Ray cloud rendering service
Render 3ds Max or Maya scenes in a fraction of the time taken on your desktop via this new online service.
Sunday, July 1st, 2012
Eye candy: Ambrosia
One man, $17k, 280 FX shots: how Chris Herrick created high-power visuals for this low-budget thriller.
Saturday, June 30th, 2012