And James E. Kowalski is the guy who (somewhat somberly, possibly bitterly?) makes this happen, even though people take it for granted. Foliage? You better f***ing believe it.

And then the guy sings the song about LOOKING CLOSER to WHAT YOU SEE! And his lyrics don’t – have – to – rhyme – that – much.

And then Anthony tells us that this movie set (filled with glue and smoke and toxic chemicals and guys with bulging crotches and delicate things that could get broken by just staring too long at them) is A GREAT PLACE for children. It’s better than Toyland at Christmastime! (News flash to Anthony: you’re insane.)

And FYI, that’s not Ferdinand J. Smith, minor composer and connoisseur of classy suits and ties. That’s Marjoe Gortner. (Look it up.)

Finally, it’s all filmed with a special super duper camera that’s controlled by something called A COMPUTER.

That’s how it can perform extremely complex moves and motions. Like moving slowly forward…in a straight line…for 14 hours.

ILLUSIONS…You’re going into a trance! (feel the bassline!) and then there’s the roadie from Journey operating the camera!

ILLUSIONS….everyone’s wearing Angel’s flight pants!

ILLUSIONS…check out that nasty matte line!

But seriously, that music at the end is pretty cool. It was a Pavlovian bell to me when I was a teenager. It was the sound that meant that some movie with exposed breasts was coming on shortly.

Thanks for the flashback.

I am now going to Netflix “Roadhouse” and “Ghoulies 2″.